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Artist News

Inspirational singer, Noreen Crayton, releases Make Me Over with Musik Radio Promotions

October 29, 2014
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Noreen Crayton’s, Make Me Over, was released to worldwide radio promotion just a few days ago and the response has been enormous. Noreen spoke of the response, “It’s only been a few days, but wow”!

 

Noreen provided some thoughtful answers about her life and music:

 

How would you describe your music?

Melodic, soulful, spiritual and filled with lots and lots harmonies lol

 

What has been your greatest opportunity in your career so far?

I’ve been fortunate to have a lot of opportunities throughout my career
but I think I am most proud of the fact that Ronnie Milsap recorded a song
I co-wrote (with Greg Tornquist) and that it was the lead single on his
gospel cd and then right after that I was fortunate to win the Independent
Music Award for best gospel song for the song (I wrote all by myself),
“Walking In The Faith.”  Those two opportunities provided me with exposure
and showcased me as a writer.  It really helped me personally in that it
allowed me to realize that what I was doing wasn’t crazy lol.

What do you think distinguishes a true music artist from an entertainer?

That’s a good question, the differences are far more subtle then one
realizes.

True artistry is organic and comes from a very real and honest place.  It
exists whether there is an audience watching or not.  Some of my best work
is done at 1 AM in the morning while I’m composing a song or laying a
vocal attempting to keep my heart bared (open) so that the person who will
be listening can feel the message I’m trying to convey.  Ultimately, it’s
not about entertaining but about relating and identifying with the
audience and vice versa.

Also, an entertainer has the capacity to turn what they do onstage during
a performance into an art form.  Think about Michael Jackson and what he
did and how his work touched millions of people, it was amazing.

So there are no differences really, it depends on the person and how
deeply they’d like to delve into the gift they’ve been given.

What do you want to always be remembered for?
I’d like to be remembered as an artist that stayed to true to the vision
given to her and that her music reached the very heart of someone and
helped them heal even a little bit.

What advice would you give a music artist who is just starting out?

Just keep writing and working in public.  If you hear a word or phrase
that strikes you in a very unique way, you’ll know it has meaning because
it impact you….write it down.  Carry a notebook or record the phrase on
your phone.  If you hear a melody in your head that just won’t leave you
alone, do the same thing……you’ll eventually have to deal with it and
hammer it out.  If you are given the opportunity to execute in front of
people, try not to turn it down.  Just do it even if you suffer from stage
fright like me (smile).  The thing is don’t stop the flow inside you, give
in to it even if you have to do it late at night when the kids are sleep
or when you come in from work exhausted, rest a little bit then hammer it
out even for an hour.  You’ll be really happy you did.

Where do you see your artistry going in the next 5 years?
I’d like the music I do reach more people, my prayer is to write or
co-write something that will help transform a generation.  Some of the
things I see and read about in the news is just heartbreaking.  I’m
beginning to feel that human beings don’t even like one another let alone
feel for each other and themselves.  I’d like to be part of something far
bigger than me.  Write or co-write or work on something artistic that will
change people’s hearts and minds so that we all realize we are here for
one another and that we all work for the greater good and from the heart.

Anything else you really want to say?

Thanks for listening to what I’ve
released so far, there’s more to come, I hope you enjoy it and I hope it’s
something helps you get through the day.

Thanks for sharing, Noreen!

 

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Press Release

Morris Music and Musik Radio Promotions release ‘Sweet Silence’ in support of Greenpeace

April 8, 2014
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Independent artist gets the attention of Greenpeace and Spotify and joins world famous
artists, declaring the Arctic a global sanctuary. Watch video in support!
 
Ronny Morris joins Sir Paul McCartney, Sir Richard Branson and 
Chris Martin in line up for Greenpeace

NEW YORK, NY – April 7, 2014 – Greenpeace and Morris Music are proud to announce that Award Winning recording artist Ronny Morris will release his first track in support of Greenpeace, taken from his debut album entitled Sweet Silence.

Musik Radio Promotions will release the track in a worldwide radio campaign in support of the project.

The song, titled “Built to Last” which includes the release of three music videos and twelve remixes by artist like Rich Morel (Pink, Depeche Mode, The Killers), DJ Ganga and Leon El Ray, is scheduled to be available via Spotify and all digital retailers from April 7, 2014. Ronny Morris is teaming up with Greenpeace and Spotify on the release of this charity single where all revenue will go to the support of the Save The Arctic movement, which includes prominent names such as Radiohead, Sir Paul McCartney, and Chris Martin from Coldplay, supporting over 5 million people worldwide who has already signed the petition .

Birgitte Lesanner, Head of Communications in Greenpeace Nordic, is pleased to have Morris join their prestigious lineup of musicians who have joined over 5 million people worldwide who have petitioned for saving the Artic. ”We’re grateful for Ronny Morris and Spotify’s support to the Arctic campaign. The livelihood of the unique wildlife in the Arctic is changing rapidly. However, the very same oil companies that caused the ice to melt in the first place do not see it as a warning sign. Unfortunately they see the melting ice as a business opportunity. Only a strong global movement can stop the Arctic oil rush,” says Ms. Lesanner.

Ronny Morris, who is an avid proponent of Greenpeace, is thrilled that he can do his part in addressing this global issue. ”The Arctic is melting faster than anyone could help open people’s eyes to the great danger we are in. Hopefully, some will even join the movement to protect the Arctic,” says Ronny Morris. “Being that the U.N. Secretary-

General is currently traveling to Greenland to inspect the consequences of global warming should definitely raise concern for everyone.” The Save the Arctic campaign works for a ban on offshore oil drilling in the Arctic region, a stop on unregulated and destructive fisheries in the Arctic and a global sanctuary on the uninhabited area around the North Pole.

Morris’s music has been featured in award winning films and major American TV shows such as One Tree Hill, Brothers Sisters and Ghost Whisperer and was recently honored with two HMMA awards. Remixes of his songs are available on more than sixteen compilation CDs sold in 52 countries worldwide, including the world renowned Buddha Bar Compilation.

 

 

Artist News

How Do You As An Indie Artist Make A Good Living From Your Music

April 7, 2014
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Do you have a million dollars? Most likely the answer is “no”. Are you trying to make it on mainstream US radio and promote to mediabase stations and hit the top 40? If you don’t have a million dollars to invest then you’re wasting your time. But you can make a good living from your music.

By wanting to make a living out of your music you have decided to go into business for yourself. That’s right, you have now attached the word business to your music. Any smart business person will have a business plan.

STEP ONE:    First thing you need is a good song. One that everyone can relate to and has a memorable  melody and a good hook line.

STEP TWO:   A good recording and production is everything. Radio compresses the file and if you record  it on a computer at home, that 24 bit is now 16 bit and after radio compresses it, it’s 6 to 8 bit. Do yourself a favor- go to a professional recording studio with a track record. Record on great equipment and use a skilled engineer / producer to help mix and master.

STEP THREE:  Distribution. We are not a fan of digital distribution. We used to be before deals were made to stream music practically for free. It costs you money to create it- why give it away for free? As an alternative,  manufacture cd’s and vinyl with some great artwork. Place them on your website for sale and sell them at your performances.

STEP FOUR:   All business has to advertise or no one would know they exist and would not have any business. The same goes for you being an artist. You may have the best music in the world, but unless you advertise no one will know you exist. In this case your advertising budget includes going to radio, which is still the most viable way to get heard and to be able to tour. Hopefully you will do your investigation and choose a good radio promoter. One that goes to FM stations in all markets all over the world – not just a few stations in the US. It’s a big world out there.  This is your best chance with a limited budget to make the most of your advertising dollars. We say, FM stations, because these stations always have venues that advertise with them.

STEP FIVE:   Once your radio promotion has began, you contact the stations that are playing you and thank them. You offer them radio liners, radio interviews and most importantly, offer to send them a dozen promo give- away cds. Radio likes to offer their listening audience give- aways. To give your cds away, they play you more, mention who you are more and increase your exposure. Once you have done this you are that radio stations friend. So ask the stations that are playing you who their advertising venues are. Get their contact information. Call, email those venues. Tell them you are playing on xyz radio station in their town and want to come to their town to perform. Let the radio stations know you are going to do this and they will back you because if the venue hires you the venue will hire them to advertise the performance. This will get you even more exposure on that radio station. Radio will love you because they got the venues advertising dollars because of you. You get a performance date that is well advertised and a radio station that is playing your music and supporting you. Most likely when you go to perform you will have a full house of people who came to see you. You will sell merchandise, gain fans and if you do a good performance be asked to come back again. Everyone wins.

Odds are  you will not become a superstar overnight but it will build your business. It will most likely take 3 or 4 single releases. It is a lot of hard work, but it gives you the possibility of building  a business off which you can make a comfortable living.

 

Indie Artist Help Radio Promotion

How To Know You Are Getting Radio Airplay

March 21, 2014
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We are asked all the time “How do I know my song is getting played” and how many times did they spin it”, with a campaign through Musik Radio Promotions. We have been promoting artists globally and know that if the station downloads your music you are being played. We have years of data to back this up. We have literally had artists show up on playlists and charts 2 years after we have sent out a radio campaign.

Read more
Artist News

One Lady Jazz, Laurel Moore, to release, Shadows of Light

March 4, 2014
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Congrats to OneLadyJazz ! Laurel Moore is a shining example of talent and hard work. Laurel took advantage of every opportunity, contacting every radio station who downloaded One Lady Jazz for airplay thru Musik Radio Promotions. MAF applauds Laurel and congratulates her on success well deserved!
Moore will be releasing her Original Song, ‘Frost On The Window’ in April with Musik Radio Promotions  from the  upcoming summer First Smooth Jazz Album ‘Shadows Of Light’ .
-7 US TV/Film Deals Signed in 2013
-Playing on 53,999 Radio Stations Worldwide (14 BBC Networks)
-Featured Artist on many US Radio Stations: New York, Chicago and Michigan.
– At 6* in JAZZ GLOBALLY at Reverbnation With 136,000 hits on our songs: Steve Parisien.
Artist News

BluesCorp, rocking on BBC networks and stations worldwide

February 15, 2014
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BluesCorp, a rock’n blues-funk dance band from Australia’s Gold Coast, is rock’n on several BBC networks and stations worldwide with release of their new single, ‘Rattle Me’.  This is BluesCorp’s second release with Musik Radio Promotions as ‘Who Do You Think Your Foolin’ was released several months ago.

The band was formed in 2010 by guitarist/singer/songwriter Andrew Clark, as a project for developing his own original music. Andrew’s trademark warm, earthy guitar tones, combined with his intimate and emotive vocal deliveries are the heart and soul of the BluesCorp sound. He creates a real rush of energy in his music and has been a “white boy lost in the blues” since his first working band – a 1977 project with blues guitarist Andrew Silver (Dynamic Hepnotics).

In April 2012, Andrew decided to completely rebuild the BluesCorp live band as a 4-piece line-up ahead of returning to the studio for the second album. The new line-up, featuring Jason Klaffer (bass), JJ Otene (drums) and Ben Ferguson (guitar/keys/sax) brought with it a fresher and decidedly funkier sound. Additionally, Andrew also recruited some additional players to rotate in the line-up as circumstances dictated.

Regular live appearances from guests Matt “Harp Dog” Dunn (harmonica), Steve Sinclair (guitar), Brian Elliott (sax), Gil Rasmussen (drums) and Paul Sumner (harmonica/percussion) resulted in contributions from each of them in the studio for the 2013 BluesCorp album release “Don’t Wanna Be Famous”.

“Don’t Wanna Be Famous” has been released to rave reviews:

“The Blues Association of South East Queensland (BASEQ) has selected BluesCorp’s 2013 album “Dont Wanna Be Famous” as it’s nomination in the “Best Self-Produced CD” category for the upcoming International Blues Challenge awards to be held in Memphis early next year.”- Blues Association of South East Queensland (Oct 16, 2013)

“From the start to the end of the album ‘Don’t Wanna Be Famous‘, my foot was a tapping. BluesCorp has delivered a cracking CD. This CD will be in the charts for many weeks and on high rotation on the Fatman Blues show on Southern FM”.- Mick Todd, Fatman Blues, Radio 88.3 Southern FM (Mar 15, 2013)

“Just got hold of the latest release from Bluescorp. This is one that makes you want to play it again and again. A great sound mix with quality production laced with sax and harmonica full of soul ,and a killer guitar tone.”- Barry Maxwell, Blues On The Hill, Radio 3NRG 99.3 FM (Mar 07, 2013)

“Smooth, low down contemporary blues at it’s best.” – Dave Barker, Dave’s Blues Mix, StarFM Radio 98.5 (Mar 04, 2013)

Musik Radio Promotions is proud to present  such a seasoned, well-polished band to world-wide radio.


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Artist News

5 Industry Moguls talk about their experiences

February 13, 2014
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Joe Smith, past president of Warner Bros. Elektra/Asylum, and Capitol Records, says, “with today’s rules, I couldn’t sign the Grateful Dead”.

Musik & Film Records changed the rules to create a new model for indie artists.

Five industry mogels provide a powerful insight into the music industry in the article below, courtesy of Hollywood Reporter.   Great to know Musik and Film is on the same page!

It hasn’t been a pretty picture for the record companies the past 15 years. In that time, the U.S. music business has shrunk in half, from revenue of $14.6 billion in 1999 to $7.1 billion in 2012, and that’s been reflected in job losses, consolidation of seven music giants into three and a general feeling of malaise that says the industry’s glory days are an irretrievable thing of the past. Indeed, the landscape is littered with former executives bemoaning the loss of expense accounts and cocaine- and hooker-fueled days, but not these spry veterans, who have survived this brave new digital world to tell their tales.

Jerry Greenberg, Atlantic Records president (1974-80), MJJ Music president/COO (1993-2000)
THEN: Signed ABBA; connected producer Mutt Lange with AC/DC (the result: Highway to Hell); broke Led Zeppelin on U.S. radio with “Whole Lotta Love”; signed Chic, Sister Sledge and The Trammps.
NOW: Founder of Ibiza-based label Pacific Electronic Music; spearheading documentary about his career.
NEXT: Involved with the Polyphony Foundation, a music school in Nazareth where kids from both Israel and Palestine learn together. “I love music and working with artists. I can still tell a hit when I hear it. I want to find the next Lady Gaga and Justin Timberlake.”
WHAT HE MISSES: “Labels signing artists, developing them and waiting for the money to come later. Record companies don’t stick with artists as much as they did back then.”
WORDS OF WISDOM: “This is as great a time to be a small, independent label as it was in the ’60s.”

 

Mike Bone, Island Records president (1990-91), Mercury co-president (1991), Def American Minster of Truth (1992-94)
THEN: While a promotion exec, broke Thin Lizzy in the U.S. with the single, “Wild One.”
NOW: Graduated Loyola Marymount with an MBA in marketing and a 3.93 GPA; owns homes in Santa Monica and Encino, a condo in Atlanta and a 215-acre Georgia tree farm.
NEXT: “In five years, my daughter will be a senior in college and my son will be a freshman, so I will start divesting my real estate, and prepare to move to Hawaii with my wife.”
WHAT HE MISSES: Being part of a team and moving the ball down the field, the snap, crackle and pop of the business, the camaraderie of orchestrating the whole ensemble. “My best years were atBob Krasnow’s Elektra in the ’80s, a magical time.”
WORDS OF WISDOM: “I saved my money. I didn’t put it up my nose or get divorced three times. My vices are now my kids.”
STORY: Afrojack Signs With Island Records and Universal Music Group

 

Joe Smith, Warner Bros. Records president (1970-75), Elektra/Asylum (1975-82), Capitol (1987-93)
THEN: Built Warner Bros. with Mo Ostin; signed the Grateful Dead and “changed the industry perception of the record company as the home of Frank Sinatra and Dean Martin”; helped breakGarth Brooks; wrote Off the Record, a collection of more than 200 artist interviews now archived in the Library of Congress.
NOW: Lakers season ticket-holder, avid wine and art collector.
NEXT: “I hope to continue standing above ground.”
WHAT HE MISSES: That collegial feeling which disappeared when the business got corporate. “You rooted for your competition to have a hit because it meant increased retail traffic for everyone. We were never really competing with each other, we were all trying to make our own way. I also miss going to the NARM [National Association of Recording Merchandisers, since renamed the Music Business Association] convention, where I got to see everybody from around the country, where I emceed several of the award dinners and panels. I really felt at home.”
WORDS OF WISDOM: “There was room for everybody then. With today’s rules, I couldn’t sign the Grateful Dead.”

 

Phil Quartararo, Virgin Records president/CEO (1992-97), Warner Bros. president (1997-2002), EMI North America executive vp (2005-06)
THEN: Part of the Island Records team that broke U2; One of the founding executives of Virgin U.S.; signed Linkin Park and Josh Groban while at Warner Bros.
NOW: Managing Arturo Sandoval and Yoshiki at The Collective (the latter with veteran publishing and A&R exec Kaz Utsunomiya); consulting for artist estates and businesses that look to “use music for currency, and are willing to pay for it,” including Australian brand-sponsored e-commerce platform Guvera and sync recognition app Shazam. “I have been very fortunate to be able to take my 30-year record company experience and convert it.”
NEXT: “I’m not one to sit around moping and being resentful, waiting for the phone to ring. I’m looking at the first part of my career as the launching pad for the best part, which is right now, because I get to work with artists, brands and music. That experience we had in the major label system is valuable for companies today. There are not a lot of guys around who have run multimillion-dollar companies and are still young enough to have the energy to do something else.”
WHAT HE MISSES: Being able to activate a team of people working every day toward a common goal: to break an artist or a song, to build a career. “That was art; that was beautiful. Today’s market is not conducive to record companies as we knew them. They’re overwhelmed and under-resourced, which is a bad combination. The major labels of the past had the revenue to support the effort. [Now] there’s no money to do anything. And the thing that suffers the most is artist development. If you’re a new band, and can’t get any traction on your own, the record company won’t be able to do it for you.”
WORDS OF WISDOM: “The time for new opportunity in the music industry has never been better.”

 

Jeff Gold, A&M vp marketing/creative services (1981-90), Warner Bros. Records executive vp/GM (1990-98)
THEN: Helped break Bryan Adams; won a Grammy for art direction for Suzanne Vega’s third album.
NOW: Founder of Recordmecca, collecting and selling rare memorabilia; author of 101 Essential Rock Records: The Golden Age of Vinyl; consulting for Rock and Roll Hall of Fame and Experience Music Project.
NEXT: “I am going to do this for as long as I enjoy doing it. I wake up every morning and can’t wait to see who’s emailed me and from where, what I’ve sold. I engage in this fantastic treasure hunt where I get to meet super-interesting people, buy stuff from them they’ve had for a long time, research and contextualize it.”
WHAT HE MISSES: The expense account.
WORDS OF WISDOM: “The record business missed the boat on the Internet. It’s a real lack of vision. People aren’t doing the Steve Jobs leading thing in the record business.”.

For a consultation regarding how Musik and Film Records can help you, free of obligation, contact us today.

 

 

Artist News

Why cant I get my music on the mainstream radio in the US?

January 30, 2014
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According to All Indie Magazine, “You can, but it costs a lot of money to do so. Radio campaigns range differently in price depending on the size of the region and how large a network you want to market in. If you want to market to radio stations in the major metropolitan areas, then get ready to cough up in upwards of $250,000 per campaign. If you’re doing your own promotion, be prepared to be ignored and get your CD’s tossed in the garbage. A station manager or program director gets upwards of 20 to 100 CD’s per day. By email, they are unsolicited by hundreds of indie labels and do-it-yourself artists. Guess who’s emails and appointments they’re going to accept? Not yours unless you’re a rep from the “Big 3″ (Universal Music Group, Sony Music Entertainment, Warner Music Group) or one of the smaller major labels including Columbia Records, RCA Records, and Epic Records. Priority goes down from there to the next highest labels in the chain.”
CEO Stephen Wrench of Musik and Film states,  “there is good news – its a big world and radio exists outside the of the United States. Radio in other countries are very receptive to playing good Indie Artists music. The BBC is the largest radio network in the world and Musik Radio Promotions services 104 countries and over 170,000+ stations. We can get your music heard!!!”
 
For more useful tips please Click Here or visit www.allindiemagazine.net
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Artist News

Love, Inspiration, and partnering up with Musik Radio Promotions seems to be the formula to success with our latest musical duo ~ Premium Comfort Shoes

January 15, 2014
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Band-mates Amos Clarke and his lovely spouse Nikki Hartnett-Clarke are no newcomers to the scene. Both halves of this New Zealand-based duo have toured internationally as members of several successful groups and winning consistent acclaim for their catchy song writing and inventive playing. Now, they’re bringing their talents to bear as the first ever “Indie Power Duo” to create a sound that’s fresh, new and brimming with commercial appeal.

Until you hear the opening bars of their first Premium Comfort Shoes single “All My Love,” you might find it difficult to believe that songs consisting entirely of drums, bass and vocals could generate so much sheer energy and ear-catching fun. Well, get ready to be seduced.

The duo’s new single “All My Love” has been released worldwide and is being promoted by Musik and Film.

All I Want Is You - LarkPlay The Game Like L@DY GAGA -MCCOYXEILEEN- NOW! - Annie MinogueEvery Small Town - Chris ChitseyJust A Touch Of Love - Shamar Na’il StarTHIS IS THE LAST TIME - Michael GilasAmerica is a Miracle - Simon JegzsNow and Forever- SpacewindGood People - Pierpaolo BerettaMr. Medusa - Mr. AsylumGone Fishing - Kenny PresleyOh What a Lady - Ricky Forest